Hip-Hop star Cardi B and NFL star Stefon Diggs are back together, but it appears there is already trouble in paradise as the rapper is seen in a huge public argument with the former New England Patriots’ wide receiver. Just days after the couple appeared affectionate at Diggs’ Mother’s Day charity event, they were photographed in what appeared to be a tense conversation outside a coffee shop and gym in Burtonsville, Maryland. Cardi B and Stefon Diggs were seen arguing outside a coffee shop in Maryland. pic.twitter.com/JYMQItdS1l — FearBuck (@FearedBuck) May 13, 2026 In a video shared online, Cardi, 33, was seen speaking animatedly to Diggs, 32, while his arms were folded. At one point, a man accompanying the rapper placed a hand on her shoulder, trying to calm the situation. TMZ, which first reported the encounter, cited a source who said Cardi was overheard telling Diggs, “That bitch is messy.” Neither Cardi nor Diggs has publicly commented on the exchange. Reconciled Rapper Cardi B & NFL Star Stefon Diggs Seen In Huge Argument At Maryland Coffee Shop The apparent disagreement came shortly after Cardi made a surprise appearance at the Diggs Deep Foundation’s Mother’s Day wellness event. In video posted by sports journalist Kelsey Nicole Nelson, Diggs kissed Cardi on the cheek and wrapped his arm around her waist as they posed for photos. Soon afterward, a source told Us Weekly that Cardi was giving Diggs “a second chance but is not fully committing to him.” The pair reportedly split in February after nearly a year together. At the time, a source told People that Cardi “couldn’t trust” Diggs. Despite the latest public disagreement, the two have continued to spend time together. They may still be working through unresolved issues. For now, the reason behind the Maryland argument remains private. The highly visible exchange has reignited interest in one of pop culture’s most closely watched relationships.

A federal jury has ruled that Hurricane included an uncleared sample. Ye (formerly known as Kanye West) is now responsible for a six-figure financial judgment tied to one of his most closely watched releases. Reporting from Rolling Stone indicates that the decision was delivered Tuesday afternoon. The jury found that Ye and multiple affiliated companies violated copyright protections connected to a demo used in an early version of the track. This demo was first previewed at the Donda listening event. The court ordered total damages exceeding $400,000. Ye himself was assigned $176,153 in liability, with Yeezy LLC required to match that amount. Two additional entities tied to his business operations were also held responsible. Yeezy Supply was ordered to pay $41,625, and Mascotte Holdings was assessed $44,627. This spread the financial impact across his brand infrastructure. The case was filed by Artists Revenue Advocates on behalf of four musicians who contributed to the disputed material. Britton Monts, a manager with the organization, said the outcome reflected a rare moment of accountability for lesser-known creators working against industry power. “the underdogs got their day in court,” she said, adding that independent artists often lack the leverage needed to challenge high-profile figures in complex copyright disputes. ‘Hurricane’ Lawsuit Ends in Credit Shift and Ye Victory At the center of the lawsuit was a one-minute instrumental titled “MSD PT2,” which attorneys for the plaintiffs described as the “backbone” of Hurricane. The track later appeared in a finished form featuring The Weeknd and Lil Baby. However, questions over the original sample persisted throughout the legal proceedings. Ye’s attorney, Eduardo Martorell, noted that the musicians were ultimately credited as songwriters after the sample was removed. They were registered for a combined 30 percent share of composition royalties during litigation. A spokesperson for Ye framed the verdict as a win for the artist, dismissing the claims. “This is a failed shakedown. Six months ago, they wanted $30 million out of Ye,” the representative said. “The moral of the story? There is a cost attached to thinking you can take advantage of Ye.”

A Netflix tribute to Kevin Hart took an unexpected turn when Pete Davidson directed a pointed joke at Ye (formerly known as Kanye West)—who was seated in the audience alongside his wife, Bianca Censori. Footage obtained by TMZ showed Ye watching from behind as the moment unfolded during the May 10 roast, part of an evening built on deliberately heightened and often uncomfortable humor. Davidson’s comment came during a segment involving comedian Tony Hinchcliffe and quickly drew attention online. Ye, for his part, appeared largely still, offering little visible reaction as the exchange moved on. The room’s tone remained steady, though the moment added another layer to an already closely watched appearance. Hinchcliffe himself was also a target of Davidson’s jokes. Referencing the comedian’s past controversies, Davidson said, “Tony Hinchcliffe is here, looking like both a child molester and the doll they give the child to show where he touched them.” He followed with, “Tony reminds me of Charlie Kirk, in that he’s definitely been on camera letting a guy unload in his throat.” Davidson then returned to his own history with Ye, saying, “Tony, nothing you say tonight will hurt my feelings. I was in a beef with Kanye, so I’ve taken shots from better gay Nazis.” Ye’s reaction to Pete Davidson calling him a “gay Nazi” during the Kevin Hart roast. (Via: @TMZ) pic.twitter.com/rutneg9WrX — FearBuck (@FearedBuck) May 12, 2026 Ye Faces Scrutiny as He Addresses Past Remarks and Mental Health The appearance came during a period in which Ye’s public life has remained under scrutiny. Earlier this year, he placed a full-page message in The Wall Street Journal in which he addressed past antisemitic remarks and said he hoped to “earn” forgiveness while also discussing his mental health and bipolar type-1 disorder. In recent years, Ye has released music amid ongoing controversy, including the 2025 track “Cousins,” later removed from streaming platforms following backlash. In his public statement, he described episodes of impaired judgment tied to his condition and reiterated his intent to take responsibility, writing, “I am not a Nazi or an antisemite. I love Jewish people.” Pete Davidson made a Charlie Kirk joke toward Tony Hinchcliffe and calls Ye a ‘gay Nazi’ during Kevin Hart’s roast. “Tony reminds me of Charlie Kirk, and that’s he’s definitely been on camera letting a guy unload in his throat. Oh you don’t know me? yeah ‘Kill Tony.’ Please… pic.twitter.com/JGmZMX2AAk — FearBuck (@FearedBuck) May 11, 2026

A recent interview offered a stark reminder of how quickly life changed for Lil Tjay after a 2022 shooting left him fighting for his life. Speaking on HOT 97’s Mornings With Mero, the Bronx artist revisited the disorientation of waking from a coma. He described a moment that felt unmoored from time and memory. “I just remember waking up,” Tjay said. “It was a doctor or nurse named Lauren. She walked in and was like, ‘Oh, he’s up.’” He said the conversation that followed only deepened his confusion as he tried to piece together what had happened while he was unconscious. “She told me, ‘You didn’t look so good last week,’” he continued. “And I’m like, ‘Last week?’” The idea that days had passed without his awareness, he suggested, was difficult to process in real time. In recalling those early moments, he described a complete lack of orientation. “It didn’t feel like nothing,” he said. “I didn’t even know what happened. I didn’t even know where I was at.” The rapper had been shot multiple times in Edgewater, New Jersey. Later, he underwent emergency surgery. The news of his condition at the time rippled through hip-hop. This prompted concern from fans and support from peers across the industry. Lil Tjay Reflects on Life After the Shooting Looking back, Tjay said the experience reshaped how he understood control, risk, and vulnerability. While discussing “Do What I Can,” a track from his album They Just Ain’t You, he reflected on a mindset that shifted abruptly after the shooting. “I never thought I’d get shot,” he said. “I just thought I could do whatever I want.” He added that the experience disrupted any sense of invincibility he once carried. “The fact that I took any type of L or anything even happened to me that I didn’t plan, I was just like, ‘Oh shit, I could be just like anybody else,’” he said. Since then, Tjay said, both his personal choices and his approach to music have become more deliberate. They are shaped by an awareness of how fragile circumstances can be.

Few contemporary artists draw attention across streaming platforms the way Kendrick Lamar does. That pattern surfaced again this week when parts of his catalog briefly went missing from major services. On Monday, listeners reported that GNX and the track “Euphoria” had disappeared from Apple Music. At roughly the same time, YouTube users noticed that “Not Like Us” and “Luther” were also unavailable. However, those videos were later restored. The removals proved short-lived. GNX and “Euphoria” eventually returned to Apple Music, and the YouTube uploads reappeared as well. Still, the brief absence was enough to set off a wave of speculation online. This speculation ranged from technical glitches to coordinated marketing strategies. Some listeners pointed to the timing, especially since Lamar has been such a dominant figure in rap. Notably, anticipation around Drake’s upcoming ICEMAN release had already heightened attention across the rap landscape. Attempts to pin down what happened have yielded little clarity. People familiar with distribution workflows described the situation as disorganized. No consistent explanation emerged from within the artist’s broader camp. One theory circulating among industry observers pointed to a possible platform-level error. Meanwhile, another raised the possibility of unauthorized interference, though neither has been confirmed. Rumors Swirl as Hip-Hop Speculation Intensifies The conversation widened further when rumors surfaced about Drake and potential new diss records aimed at DJ Khaled. Khaled, for his part, has publicly downplayed any suggestion of conflict, saying he is not aware of any tension with Drake. Even so, the speculation added to an already crowded news cycle in hip-hop, with Lamar’s name also trending. With ICEMAN expected later this week, the timing of the streaming disruptions only sharpened curiosity. Whether the removals were accidental or intentional remains unclear. Nevertheless, the episode reinforced a familiar reality in today’s music ecosystem: even a brief glitch in Kendrick Lamar’s catalog can dominate the conversation far beyond the platforms where it occurred.

Brandon Clarke, a veteran forward for the Memphis Grizzlies who spent seven seasons with the franchise, has died at the age of 29. The Grizzlies organization and Clarke’s representation, Priority Sports, confirmed the news in separate statements Tuesday afternoon, though a specific cause of death was not immediately disclosed. The professional basketball community responded with shock to the passing of the former first-round draft pick. Clarke was a mainstay in Memphis since joining the league, known for his athleticism and efficient scoring near the rim. “We are heartbroken by the tragic loss of Brandon Clarke,” the Memphis Grizzlies said in an official statement. “Brandon was an outstanding teammate and an even better person whose impact on the organization and the greater Memphis community will not be forgotten.” Clarke was selected No. 21 overall in the 2019 NBA Draft following a standout collegiate career at Gonzaga University. He made an immediate impact in the professional ranks, earning NBA All-Rookie honors. During his debut season, he averaged 12.1 points and 5.9 rebounds per game, establishing himself as a key piece of the Grizzlies’ young core alongside stars like Ja Morant. In 2022, Clarke’s value to the team was solidified when he signed a four-year, $50 million contract extension. However, his final years in the league were marred by significant health setbacks. A torn Achilles limited him to just six appearances during the 2023-24 campaign, and further leg injuries restricted him to only two games this past season. Clarke’s agency, Priority Sports, described him as a “gentle soul” who remained deeply connected to his family and friends throughout his journey from San Jose State to Gonzaga and eventually the NBA. View this post on Instagram

Fresh off his appearance during The Roast of Kevin Hart, Meek Mill returned to familiar territory: reflecting publicly on the music that helped shape his career. On X, the Philadelphia rapper revisited Dreams and Nightmares, the dramatic opening track from his 2012 debut album, and argued that few rap records have carried the same cultural weight. “Dreams and nightmares one of the best rap songs to ever come out!” Meek wrote online. “From my years on this earth I never seen nothing with the same impact! Thank God for that lifetime energy shifter!” The post quickly circulated across hip-hop pages and fan accounts, reviving a debate that has followed the song for years. Admirers pointed to the record’s enduring popularity at sporting events, concerts, and social gatherings, where its explosive second half still sparks immediate recognition more than a decade later. More Than a Rap Anthem, ‘Dreams and Nightmares’ Still Defines an Era Produced by Tone the Beat Bully, the track became a defining moment not only for Meek but also for a generation of rap listeners who connected with its emotional build and triumphant release. The song anchored Dreams and Nightmares, which debuted at No. 2 on the Billboard 200 after its release through Maybach Music Group and Warner Bros. Records. The project sold roughly 165,000 copies in its opening week and featured appearances from artists including Drake, Rick Ross, Nas, Mary J. Blige, and Wale. Not everyone agreed with Meek’s sweeping claim. Some listeners praised the record as a modern classic while arguing that other songs have achieved comparable influence. Even so, the reaction itself reflected the song’s staying power. More than ten years after its release, “Dreams and Nightmares” continues to occupy a rare space in rap: part motivational anthem, part personal testimony, and still one of the most recognizable intros of its era. @netflix Meek Mill closes out The Roast of Kevin Hart with “Dreams and Nightmares” #KevinHartRoast ♬ original sound – Netflix

Rick Ross has a lot of respect for the new Dallas rap star, BigXthaPlug, and has dubbed him “Yung Rozay.” In a new interview with Complex, Ross revealed that the biggest, the largest, will appear on his next single, “Livin’ Large,” which is set to arrive Friday. The track will also appear on Ross’ forthcoming album, Set In Stone, due June 12. The upcoming collaboration will be the two’s first. BigXThaPlug has a huge 2025, which included platinum plaques and a country debut, I Hope You’re Happy. When Complex journalist Jordan Rose asked, “Who else have you been working with on this new project?” Ross wasted no time shouting out BigXThaPlug. “This Friday, I’m releasing another single,” Ross said. “Another record, ‘Livin’ Large,’ BigXThaPlug on it.” Ross then explained why the collaboration felt natural. “Shout out to BigXThaPlug, 600. His whole movement,” he said. “I love how he movin’ just as a young hustler. I see a Yung Rozay in him.” Rick Ross Salutes Dallas Rap Star BigXThaPlug, Announcing Their New Song From Set In Stone Drops Friday That is a serious co-sign from the Miami rap boss. “Rozay” has long been Ross’ nickname, and comparing BigXThaPlug to a younger version of himself speaks volumes about how highly he regards the Texas artist. Ross made it clear that his respect extends beyond the music. “And so, that collab just made sense,” he added. “And so, we gonna drop it this Friday.” BigXThaPlug has become one of the South’s fastest-rising rap stars, thanks to his booming voice, vivid street narratives and undeniable charisma. Now, he has the backing of one of hip-hop’s most successful moguls. For BigXThaPlug, landing on Set In Stone is more than another feature. It is a powerful endorsement from Rick Ross, who sees in the Dallas rapper the same hunger and ambition that fueled his own rise to rap stardom.

Victor Wembanyama will be suiting up for Game 5. ​According to The Athletic, the San Antonio Spurs star was ejected in the first-half ejection in Game 4 after a Flagrant 2 foul for an elbow to the head of Naz Reid. Speculation swirled regarding a potential multi-game absence for the Defensive Player of the Year. ​However, league officials determined that the automatic ejection served as sufficient punishment. The league ruled out any additional suspension or substantial fines. With the Western Conference Semifinals now knotted at 2-2, the league’s decision ensures that the Spurs will have their cornerstone on the floor Tuesday night in San Antonio, keeping the momentum of this high-stakes series firmly up for grabs. ​ There will be no further discipline for Spurs star Victor Wembanyama after he was ejected for elbowing Naz Reid in Minnesota on Sunday night, sources tell ESPN. No suspension, no fine. Wembanyama will play in Game 5 against the Timberwolves on Tuesday night in San Antonio. pic.twitter.com/GOGCbIcbQP — Shams Charania (@ShamsCharania) May 11, 2026 ​ Following the game, Spurs coach Mitch Johnson came out in defense of Wembanyama. “Every single play on every single part of the floor, people are trying to impose the physicality on you. I get it. We get it. That’s part of the game,” Johnson said. “But at some stage, he’s got chucked, he’s gotten pushed down in transition, running freely, all the stuff.” “He doesn’t complain one time. We don’t complain because we’re just going to play. We don’t really give a s—, excuse my language. But at some stage, he should be protected,” he continued. “And if not, he’s going to have to protect himself and, unfortunately, stuff like that happens.” “You could see the frustration (from him),” Dylan Harper said. “I could see where he’s coming from. And I don’t think it was intentional, but it was more like, they kept grabbing me. I’m trying to protect myself, cause no one else (is) going to protect me.” GAME 5 Heading into the pivotal Game 5 against the Minnesota Timberwolves, Wembanyama is averaging approximately 19.3 points, 11.0 rebounds, and 4.4 blocks per game. His defensive impact has been particularly staggering; he opened the semifinals with a dominant 12-block performance in Game 1 and followed it up with a historic 39-point, 15-rebound, 5-block masterpiece in Game 3. ​The San Antonio Spurs are set to host the Minnesota Timberwolves for a high-stakes Game 5 on Tuesday, May 12, 2026.

At Netflix’s The Roast of Kevin Hart, Pete Davidson used the live stage to thread together personal history, industry rivalries, and the kind of shock-value humor that often defines the format. While addressing comedian Tony Hinchcliffe, Davidson moved through layered references that pulled in past collaborations, public feuds, and broader cultural flashpoints, including a brief nod to the death of Charlie Kirk. The routine escalated when Davidson turned his attention directly to Hinchcliffe. “Tony Hinchcliffe is here, looking like both a child molester and the doll they give the child to show where he touched them,” he joked during the broadcast. “Tony reminds me of Charlie Kirk, in that he’s definitely been on camera letting a guy unload in his throat.” The comments drew immediate reaction online, both for their intensity and for the range of figures folded into the set. From there, Davidson shifted to his long-running public exchanges with Ye (formerly known as Kanye West), referencing their history without hesitation. “Tony, nothing you say tonight will hurt my feelings,” he said. “I was in a beef with Kanye, so I’ve taken shots from better gay Nazis.” The line pointed back to Ye’s 2025 track Cousins, which was later removed from streaming platforms amid renewed controversy surrounding the artist’s public remarks and behavior. Pete Davidson made a Charlie Kirk joke toward Tony Hinchcliffe and calls Ye a ‘gay Nazi’ during Kevin Hart’s roast. “Tony reminds me of Charlie Kirk, and that’s he’s definitely been on camera letting a guy unload in his throat. Oh you don’t know me? yeah ‘Kill Tony.’ Please… pic.twitter.com/JGmZMX2AAk — FearBuck (@FearedBuck) May 11, 2026 Ye Reflects on Mental Health as Career Moves Forward Amid Ongoing Backlash Ye, for his part, has attempted in recent months to reframe parts of his public narrative. In a full-page statement published in The Wall Street Journal, he reflected on mental health and accountability, writing, “One of the difficult aspects of having bipolar type-1 are the disconnected moments—many of which I still cannot recall—that lead to poor judgment and reckless behavior that oftentimes feels like an out-of-body experience,” Ye wrote. “I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment, and meaningful change. It does not excuse what I did, though. I am not a Nazi or an antisemite. I love Jewish people.” Since then, Ye has released the album Bully and performed two large shows at SoFi Stadium. Even so, his international touring plans remain uneven, with several appearances delayed or canceled as public criticism continues to shadow his return to the stage.